Sights
05.07.03 | by Cynthia Fuchs
Lizzie plays both fan (of a star she's not yet heard sing) and star, an admittedly odd duality she handles with smiley aplomb
05.07.03 | by Cynthia Fuchs
Raising Victor Vargas opens on 16-year-old Victor posing. Cocking his hip and caressing his chest, he gazes steadfastly at the camera, plainly seductive in his own mind, more likely a little corny in yours
05.06.03 | by Alana Kumbier
PopPolitics speaks with the recappers of Buffy the Vampire Slayer
05.06.03 | by Cynthia Fuchs
Identity has some OK cards up its sleeve. These include a plot twist or two, but mostly have to do with smart performances in conventional roles
05.06.03 | by Cynthia Fuchs
Confidence opens with a bit of an homage to Sunset Boulevard's famous dead-guy-in-a-pool opening
05.06.03 | by Cynthia Fuchs
Memory is a tricky business. So are movies that mess with it
05.06.03 | by Cynthia Fuchs
Better Luck Tomorrow is glib sometimes, and it's a low budget project. It's also a smart and engaging high school movie with more on its mind than who's going to the prom
05.06.03 | by Cynthia Fuchs
In xx/xy, no one manages to be ''honest with each other''
05.05.03 | by Cynthia Fuchs
The primary thematic concern for Angel has been consumption -- appropriate for a show about a vampire, perhaps the paramount junkie and the ultimate consumer
04.21.03 | by Cynthia Fuchs
The fact that Platinum looks closely at the excessive lives and appetites of hip-hop artists and producers is not in itself news; what is refreshing is that the attitude here is resolutely not straight