The following is a new article by Tim Mitchell, published in the “depth” section of PopPolitics magazine. Mitchell has previously written for PopPolitics about the “Mimic” film trilogy and “Versus” horror films like Alien vs. Predator and Freddy vs. Jason. Now he tackles the technological complexities of “Dark City” — just in time for the DVD release of a new director’s cut:

The 1998 film “Dark City” will be re-released on DVD this week in a new director’s cut that features additional footage. I’ve always felt that “Dark City” never received the recognition it deserved — due in no small part to being overshadowed later by a very similar film, “The Matrix,” in 1999.

What is particularly intriguing about “Dark City” is that it combines many narrative themes specific to science fiction (aliens, space and time travel, and computer technology running amok) with elements of German Expressionism and film noir to create a narrative that provides an unique commentary on the role of technology, including cinematic technology, in the shaping of both the individual and society.

The film’s director, Alex Proyas, ultimately creates a haunting dystopian commentary on today’s media-saturated world.

Continue reading “Man, Machine, Memory and Movies: A Critical Look at ‘Dark City’“