How to Tell a True Revolutionary Story
The following is a new article by Steve Schwartz, published in the “sights” section of PopPolitics magazine. Schwartz reviews and contextualizes the “John Adams” miniseries, which has just been released on DVD:
In one of the final scenes of HBO’s seven-part miniseries “John Adams” (available now on DVD), the former president, nearing 80 years old and grieving after the passing of his wife Abigail, visits Boston’s Faneuil Hall to view John Trumbull’s iconic painting of the Founding Fathers signing the Declaration of Independence.
The truculent old man offers his verdict directly to the artist: “It is very bad history.” Adams proceeds to explain that there was no single moment where the delegates ceremoniously affixed their signatures to the document; instead, they were doing so throughout the summer of 1776, while scurrying in and out of Philadelphia.
“You would not deny the artist a certain … license?” Trumball pleads with Adams, to no avail.
“Don’t let our posterity be deluded with fictions under the guise of poetical or graphical license,” admonishes Adams.
Of course, the writers and producers took their own creative license with this memorable moment. As David McCullough wrote in his Pulitzer-prize winning biography that inspired this miniseries, “What Adams thought as he looked at this painting will never be known.”
I focus on this scene not to criticize the fabrication but to use it as a handy reference point to illustrate the virtues of this series. It serves to remind us that good history can be presented in all of its complexities based on its own merits.
Continue reading “Making History: HBO Brilliantly Captures John Adams’ Complex Life.”












